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The second thing you'll see on many of the best boost pedals is some kind of EQ. On some it may be a simple treble cut, while others will go as far as a two or even three-band EQ. Even without an EQ control, a boost will change the EQ profile of your guitar, and the extra gain will add compression.
It's mainly this that makes boosted signals sound 'punchier'. This probably is starting to sound familiar — it's basically an overdrive, right?
Well, yes and no. The only thing that an overdrive is likely to have over a boost pedal is clipping, usually in the feedback path for the amplifier stage. This means that if you turn down the clipping, or drive knob, and turn up the level on many overdrive pedals, they will serve as a boost. In fact, that's exactly what many players use the Timmy and Tubescreamer for. All of this adds up to a pretty simple set of options when finding the best boost pedal option for you, and which will largely depend on your amplifier.
With a decent tube amp, you're likely to EQ at the amp, and prefer the amp gain, meaning that a more simple boost with lots of gain on tap would do the job. On the other hand, with a solid-state amp, you're likely to want something a little bit hairier and more characterful, perhaps even with some clipping.
Just don't call it an overdrive, ok? The Emissary is an interesting concept - a parallel boost that blends a JFET circuit - the 'bright' circuit - with an op-amp boost circuit - the 'mids' circuit. Both of these circuits have independent controls, and the mids circuit has a switchable EQ for where its boost 'bump' is. You can switch between Hz and 1kHz - which of course, is where the mid hump of a Tubescreamer is.
The main strength of the Spark Mini is also probably its main drawback - it's simple to a fault. One knob, 20dB of gain, and that's it. In terms of voicing, it's relatively open, getting more compressed as you raise the gain. Without tonnes of character of its own, it works best smashing a tube amp rather than for coloring a guitar signal, to our taste, but we do know players that use it as an 'always on' pedal to do just that.
As they're all made by hand by one person, they can sometimes be hard to get a hold of, but like the original Paul Cochrane Timmy, they're well worth the wait. The aptly named Decibel Plus V2 improves upon the previous version, mainly due to the inclusion of a high-quality buffer that maximizes signal strength and clarity. Who is this best suited for: The Decibel Plus V2 by Wampler is well suited to guitarists who appreciate well-made, well-designed pedals.
Handmade in the USA, this pedal is very robust and therefore may be of interest to touring musicians who are likely to use it heavily on the road. I found that after a little while experimenting with the dual-control layout of the Booster Mini, it is very easy to find the perfect balance between volume and tone. Who is this best suited for: The MXR Booster Mini is a great tool for guitarists who often find that their clean tone gets drowned out by other members of their band or a backing track.
Bottom Line: Offering an impressive 25 dB of boost, this MXR pedal combines the functions of a clean boost pedal and a preamp device. With true bypass switching, you can rest assured that this pedal will maintain your signal strength and keep noise issues at bay. The first thing I noticed about this pedal was its transparency, which makes it ideal for increasing the volume of clean chord sequences or lead melodies. Unlike other boost pedals which add a touch of gain and coloration to the signal, the Katana-Mini produces a pure reflection of the combination between an electric guitar and amp.
This allows you to push your guitar to the top of the mix without compromising on its tonal qualities. The Mini Katana Boost lets your clean tone breathe without smothering any of the natural harmonics, whilst increasing the gain significantly. After checking both of these modes out, I found that they provide a good amount of tonal diversity.
It produces a carbon copy of your natural clean tone, which can then be adjusted using the pots on your guitar or the onboard controls on your amplifier. There are no unnecessary controls included on this NUX device, so if you value ease of use, this is worth considering. It manages to provide reliable clean boosts without overcomplicating things. I learned that not only does this pedal provide a transparent boost, but it is also effective for driving the preamps in a tube amplifier to the point of saturation.
The standout quality of this stylish stompbox is its noiseless operation. Bottom Line: Whether you position it in the effects loop of your amplifier or front of your overdrive pedal, the Arrows will boost your clean guitar tone without any issues.
This versatile pedal is also great for ensuring your melodies and solos rise above the mix and are heard by the audience. My Review: Compared to most of the other clean boost pedals featured on this list, this Tiesco device offers more tonal and dynamic options. I like the design of the pedal, with its distinctively vintage imagery, fonts, and layout. Who is this best suited for: The Boost Pedal by Teisco is a great option for guitarists who are also considering acquiring an overdrive and EQ device.
This three-in-one pedal can be used as a simple clean boost, or you could employ it for adding gain to your signal. Bottom Line: Offering plenty of headroom, the Teisco Boost is designed to resemble classic boost pedals of decades gone by. It features several adjustable features that you can use to tailor its performance to your liking, both tonally and dynamically. My Review: In contrast to stereotypical boost pedals, the Emissary by Walrus Audio aims to raise the output of your amplifier without adding gain.
It does this through a process known as parallel boosting, with a pair of circuits included within the pedal. One of these circuits is of the classic JFET variety, which produces a bright and sparkling boost. It targets the midrange frequencies of the guitar, which make up the majority of your clean tone. Bottom Line: With two separate circuits that can be used either as standalone or parallel to one another, the Emissary clean boost pedal is a unique offering.
It blends the worlds of EQ and boost pedals, and increases the number of options you have at your disposal. It offers the same transparent clean boost as the smaller edition but expands the number of adjustable parameters you can use to sculpt your dynamics and tone. This pedal is in my opinion, closer to a preamp than a traditional boost device. It allows you to control the volume of the inputted signal and the outputted signal so that you can compensate for any tonal changes made during the boost process.
It injects dynamic energy into the signal and is very easy to operate. Even when the full 20 dB boost is applied, I found that this pedal preserves the tonal qualities of a clean guitar. Who is this best suited for: The MXR MC is a good match for musicians who are looking to increase the volume of their clean tone considerably, without compromising on brightness or clarity. Bottom Line: Whether you use it as a standalone boost or in conjunction with an overdrive pedal, the MC is a great tool for increasing the prominence of your clean electric guitar tone.
Boosting your mid frequencies can really help you stand out in a mix and Eric Clapton made his mid-boost a key component of his tone. While you could use an EQ pedal to boost your mid frequencies or use something like a Tubescreamer to get this sound, why not build a standalone mid boost pedal for your board.
As previously mentioned, you can put a boost pedal in your effects loop to boost the volume of your guitar without affecting any other facets of your tone.
However, putting similar pedals in front of your amp will have a very different effect on your tone. Placing a boost pedal in front of your amp will allow you to not only boost the volume but also drive your amp into overdrive. The MXR Micro Amp is an awesome one-knob boost pedal that can work in front of your amp to push your signal into a gentle overdrive or in your effects loop to provide a substantial volume boost for standing out in the mix.
Just like the Micro Amp, the Linear Power Boost is a one-knob boost pedal that works really well either in front of your amp or in your effects loop. The awesome effect this pedal has on your sound.
Based on the original Vox treble booster circuit, this pedal adds a volume control to help dial in how much boost you actually want. The Dallas Rangemaster treble boost is the original treble boost circuit and has to be heard to be believed. Need I say More? Any guitar player that is a fan of Queen and wants to get closer to his tone, needs one of these pedals on their boards. An incredible single knob transparent booster, the Super Hard On circuit by Zvex will push your amp.
Based on the legendary preamp of the Echoplex 3 EP 3 echo unit, this single knob circuit will boost your sound and add a little something to really make you stand out.
The Katana boost pedal from Keeley is a high headroom clean boost that is favoured by players like John Mayer. The haunting Mids pedal by JHS allows you to dial in the exact mid-frequency you want and then boost it or cut it to really stand out in a mix. The addition of the toggle switch adds even further tonal opportunities for you to explore.
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